My life the past week has been spent editing the newest product of the International CPTED Association (ICA). It's the first of a series in Designer's Guidebooks and the first issue is on the subject of graffiti and how we can deal with it. 

While reading this excellent document I was struck by the many types of graffiti and the many kinds of people and motives who create them. Some are vandals, artists, gang-bangers, activists, and some just rebellious youth. 

I was also struck by how many of those tackling the problem often have no idea which is which. And as with all safety and prevention, if we don't know what's behind a problem it is difficult to solve it. We might slow or displace it with temporary fixes. But if we want a sustainable solution, we must understand it. That's what the ICA Designer Guidebooks are all about. 

It's not the first time graffiti has been featured by the ICA. Last fall an issue of the CPTED Perspective newsletter also dealt with the topic, specifically on how murals can turn a space into a place. I also wrote a blog entry on graffiti problems in Victoria. Then there is the story about City Repair a few blogs ago, a kind of murals-on-steroids in Portland.

Some cities, like Toronto and Philadelphia, have great programs for tackling graffiti. For example, check out the Time Magazine photo story on the Philadelphia project. Also check out a You Tube of Toronto's Amnesty International Urban Canvass project.

Watch for the launch of the new Designer's Guidebook on the ICA website.

PS: Houston SafeGrowth students - don't forget to click Risk Assessment Descriptions under the Toolkit for the July 31 assignment!

Louisville has much to offer: lower crime rates, the Kentucky Derby, more Victorian homes in one area than elsewhere in the country, parks designed by Frederick Olmstead, ballet, opera, theatre, and large convention centers. None of those things, per se, typically produces a walkable neighborhood street culture. But they are nice. 

​Lately I’m thinking more about city streets and jigsaw puzzles. Consider downtown Louisville where I walked this week. There are wide expanses of cement and asphalt. One-way downtown streets, empty during evenings, and long distances between stores make downtown walking in some parts tedious and pointless. No different than what I saw in Houston and San Antonio and most other (but not all) large North American cities. The indigent ask me for coin. A homeless woman pushes over street furniture – perhaps a statement of her boredom with poverty, her frustration with it, or just being drunk! Jane Jacobs would hate this piece of the Louisville puzzle.

I wonder: Shouldn't we expect more from downtown street life? 

Later I am shown an entirely different piece. The fabulous Bardstown Road in the Highlands area is filled with art galleries, street cafes, restaurants of all ilk, and a variety of folks safely intermingling from all walks, incomes, and peculiarities. It’s a little Bohemia both fascinating and tasty. This is street life with diversity and energy. Jane Jacobs would love this. 

A few days later I find my own underground jewel snaking off a boring and empty street into a back courtyard café. The Derby City Exresso bar is the kind of place where edge politics thrives. The bar reeks of alternative culture and proves cultural depth isn’t obsolete. If it were the 50s, Kerouac and the beats might have submerged here with their jazz poetry. Today’s version offers wall labels that advertise Propaganda Nite, Postmodern Magic, and warn us, This Machines Kills Fascists. Another asks, What now? 

Three Louisville pieces emblematic of disjointed neighborhoods in cities everywhere. The latter two pieces seem a naturally evolving antidote to the former. This is the puzzle of our contemporary downtown street life or, in too many cases, lack thereof. 

What now indeed? 

​I discovered there are some exciting things happening here! The Louisville police department has been gradually implementing the most advanced police training method in the country - Problem Based Learning. As I mentioned last blog, PBL supports the COPS strategy. COPS is one precursor to more expansive SafeGrowth strategies and safer neighborhood design. 

Also, there is visionary new leadership at the University of Louisville's NCPI – the National Crime Prevention Institute. Because 1st Generation Crime Prevention Through Environmental Design pervades cities throughout the world, we forget that in the early 1970s (shortly after the publication of Newman’s Defensible Space and Jeffery’s CPTED) NCPI was the original birthplace of CPTED training. Reinvigorated learning opportunities at NCPI hold some interesting possibilities for safer neighborhoods. 

Perhaps that’s one way we can learn to do neighborhoods right? Updated learning may yet provide the most important piece linking the safer streets puzzle.

​Toronto or...

Not long ago Winnipeg, Canada was listed by a national magazine as one of the highest crime cities in the country, especially car theft. 

Read MacLean's Magazine article

I've been many times to Winnipeg and I'm always amazed how a place can feel so very different than the what the media and the stats tell us. 

As we've seen so many times in this blog, stats tell only a very small part of the picture. Proof: One of my talented SafeGrowth colleagues in Winnipeg, Brody Grusko, is launching some exciting new work in that city. He posted a SafeGrowth entry in their city website with some feedback. Looks like there are excellent opportunities to expand neighbourhood governance and City Repair Projects.

Brody's blog entry

I especially thought his chart was one of the more interesting diagrams I have seen for describing the SafeGrowth methodology.

Brody is coordinator of the Winnipeg Committee for Safety. It's a pretty dynamic group. They are worth keeping an eye on. If you haven't seen their website, check it out. 
​
Winnipeg Committee for Safety site

​Imagine: When the fog of traffic congestion clogs our streets (and our minds), imagine a safe place near your home with quiet beauty and solace. Imagine neighbors putting out daily coffee and tea for passers-by in mini-street cafes. Imagine bulletin-boards, cobblestones and artistic murals, flowers and gardens on your street. Imagine it can all start with a potluck.

I recently spent time exploring Portland, Oregon. Some equate Portland with rain and overcast winters. But other records matter more - Portland's outdoor street life for example. Portland is one of the world's greenest cities, the fittest and most eco-friendly city in the US, the best US city for biking to work, renown for land use planning and light rail, and a top ten city for architecture and design.

Portland's not perfect. While it has about the same ethnic and income mix as cities of similar size, it does have the country's second highest unemployment rate. It has problems with car thefts and burglary. Yet of the 75 largest cities, Portland's murder rate is consistently in the bottom 10 and robbery in the bottom 20. It has one of the lowest violent crime rates of any city in the country.

One wonders about the obvious; Do the things that make it vibrant account for the things that make it safe? Residents describe it as one of the safest places in the country with the highest high quality of life.

Why?

Portland's neighborhoods are alive. Interest in civic affairs is alive. In the neighborhoods (away from the clogged Interstate) cars seem secondary, people and bikes first.
Nowhere is this exemplified better than with Portland's City Repair movement, now in dozens of cities across the country.

​Pioneered a decade ago, innovator and architect Mark Lakeman is a leading proponent. He told me local residents decide for themselves what they want their streets to look like and how their intersections should function. Some want community interaction or seasonal celebrations. Others want slower traffic or beautiful public art.

City Repair creates artistic and ecologically-oriented placemaking through neighborhood projects. They began by tackling the urban grid. They convert residential street intersections into public squares. They use paint, plants, and permaculture. They construct non-toxic solutions from the local environment. They combine public art with benches, lampposts, play areas for kids, and gardens alongside public streets. It is remarkable to see this in person.

If you can, go there and see for yourself. Nowhere have I seen intersections transformed so creatively by local action.

This is citizen government and a positive example of direct action. When we talk of placemaking in SafeGrowth, City Repair is exemplary. It yields great promise and optimism.

People are drawn to see beautiful art or sculptures in formerly boring grid intersections throughout the city. I watched cars slow to safer speeds where there were no stop signs. Well designed street art is a natural traffic calmer.

​I heard of doomsday pundits who said it was impossible (until it was done by others). I heard of traffic engineers predicting chicken-little (then shown how to build creative and functional intersections).

Mark says, we are engaging people where they live and they are building new relationships. They are creating physical artifacts that encourage them to gather after the fact. They see these artifacts and they interrelate with them and the stories broaden and deepen.

That is placemaking at it's best.

Check it out.